Leather Jackets
The review
Upon release, Leather Jackets was a critical and commercial failure, stalling at number 91 in the US — the lowest-charting studio album of the artist's career — and reviews have been largely negative, with the artist himself calling it the worst of his career. Critics and listeners alike single this out as a low point in an otherwise storied catalog. Even with the same producer behind it who helmed several of the artist's most beloved records, the songwriting here is considered weak, with heavily synth-driven production and vocals that sound worn and strained.
The record's sound is frequently described as a dated, over-processed product of its era — reviewers have pointed to "terrible cheesy synths that scream mid-80s" alongside lyrics widely seen as weak. Listening through, the songs are generally regarded as unengaging and unimaginative, largely treading water rather than pushing anywhere interesting. That said, there is some agreement on a few bright spots: a ballad duet featuring a guest vocalist is seen as one of the record's better moments, bolstered by warm string arrangements, and the closing track is often singled out as the one song that breaks away artistically, featuring an unusually strange arrangement with a soulful, heartfelt vocal.
Beyond the music itself, the album's failings are sometimes contextualized by the personal turmoil surrounding its creation — recording coincided with a period of personal difficulty, including vocal struggles caused by polyps on the vocal cords, which required surgery the following year. Critics don't meaningfully disagree on the overall verdict here; the consensus is remarkably unified that this is a career nadir, with only minor disputes over which one or two tracks manage to rise above the rest.
Who it's for
Completionist fans of the artist and 1980s pop/rock collectors interested in tracing an artist's full discography, including its low points, or listeners curious about mid-80s synth-pop production trends.
Who it's not for
Newcomers to the artist's catalog, anyone seeking his celebrated 1970s glam-rock or piano-ballad work, or general pop listeners looking for a strong, cohesive album experience.
Birds of a feather...
- TVThe Idol (2023)




Both are case studies in high-profile creative misfires—works that reveal how commercial machinery and confused vision can produce something hollow despite talent involved, appealing mainly to those tracing an artist's decline.
62% - MusicDandelion (2026)




Dandelion's critique of competent-but-uninspired genre exercise mirrors Leather Jackets' portrait of mechanical craft without artistic urgency, both appealing to listeners interested in the gap between skill and vision.
55% - MusicKiss All the Time. Disco, Occasionally. (2026)






Both lean on processed synth textures and restrained production to convey emotional ambivalence, though one is a deliberate artistic choice while the other reads as depletion.
50%





