Power, Corruption & Lies
- NME Awards — Best Dressed Sleeve — Winner (1983)
The review
Power, Corruption & Lies is the album where New Order stopped being the band that used to be Joy Division and became the band that helped redefine what an electronic rock group could be. Recorded while the four members were still learning their new synthesizers and sequencers, it fuses churning post-punk guitar and Peter Hook's soaring, melodic bass with drum machines and bright synth textures — a dance-rock hybrid that critics hailed at the time as a declaration of independence from the band's past, and have since enshrined as one of the defining records of the 1980s. The opening "Age of Consent" is routinely singled out as an all-time peak, "Your Silent Face" is a quietly sublime piece of electronic balladry, and the whole record sustains a mood that is somehow simultaneously danceable and melancholic.
Its rough edges are part of the charm. The band were figuring out the technology as they went, which gives the record a fragile, wintry quality its slicker successors never quite recaptured. Bernard Sumner's vocals are understated and his lyrics famously cryptic — the album title itself was borrowed from a George Orwell novel, and even the cover withholds the name, hiding it in a color code — and listeners who need literal, front-and-center songwriting will find themselves shut out. Critics who quibble tend to point at the middle stretch, where a couple of tracks half-measure next to the highlights, and at the seven-minute instrumental sprawl of "5 8 6," which either hypnotizes or tests patience depending on taste.
Underneath the dancefloor sheen, reviewers broadly agree, is genuine emotional weight: the record reads as a band working through grief by building something new, and its blend of euphoria and sadness is why it still resonates decades on. Where opinion genuinely splits is less about whether it's a landmark — that verdict is essentially unanimous — than about which of its eight songs are the peaks, and how it compares to the more overtly commercial (and equally acclaimed) albums that followed it. The consistent throughline across nearly every assessment is that this is where New Order found itself.
Who it's for
Listeners who love synth-pop and new wave at their most emotionally resonant; fans of the Joy Division lineage curious how its surviving members reinvented themselves; anyone who wants dance music with melancholy at its core; people who connect with Depeche Mode, the Human League, Pet Shop Boys, or Talking Heads' Remain in Light and want the record that helped define that sound; and fans of New Order's later anthems ("Bizarre Love Triangle," "True Faith") seeking the album where that language was born.
Who it's not for
Listeners who want crisp, literal pop lyrics and prominent frontman vocals — Sumner's singing is muted and the words are oblique; anyone who finds early-80s drum machines and synth timbres dated; fans of Joy Division's bleak, guitar-driven drama hoping for more of the same, since this is brighter and stranger than that; listeners with no patience for extended instrumental passages; and anyone arriving expecting "Blue Monday," which isn't on the album. — melancholy, occasionally bleak emotional themes
Birds of a feather...
- MusicKiss All the Time. Disco, Occasionally. (2026)






Synth-driven and melancholy, it explores the same dialectic between danceable surfaces and introspective depths. Both albums use electronic textures to process emotional ambivalence, with restraint and tension rather than catharsis.
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Centered on loss, impermanence, and holding absurdity and devastation together, it mirrors the source's negotiation between mourning and forward motion. Both find beauty in emotional ambiguity and the connections formed amid change.
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An unpolished, sprawling document of grief and contradiction, refusing tidy resolution. Like the source, it carries multiple emotional registers simultaneously and values raw process over polished catharsis.
72% - BookKin (2026)





A meditative novel about grief and kinship, emphasizing emotional archaeology over plot momentum. It shares the source's quiet intensity, patience, and comfort with ambiguity.
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A satirical deconstruction of power and legitimacy that moves between slapstick and genuine pathos. It shares the source's interest in corruption and betrayal, and its deliberate tonal instability parallels the album's machine/human tension.
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An album that, like the source, thrives on ambiguity and artificial/human collision, mixing synthetic and organic elements without resolving their tension. Its camp and sincerity are held together, though its maximalist tone is less melancholic.
58% - BookCool Machine (2026)






Themes of power, corruption, and living between two worlds echo the album's title and dialectic. Both explore duality and the cost of navigating conflicting systems, though the novel's crime narrative is less about grief.
54%





