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Peaky Blinders

TV2013
ShowrunnerSteven Knight
CountryUnited Kingdom · English
QualityCrimeDramaHistoricalStylishBingeable

The review

Peaky Blinders is a British historical crime drama of uncommon visual ambition, following the Shelby family's criminal empire from small-time Birmingham gangsters to national power players across six seasons. At its center is Cillian Murphy's Tommy Shelby — a performance critics consistently cite among television's great antihero turns: quiet, coiled, and intensely magnetic. The show's craft is its most celebrated asset: moody, cinematic cinematography; meticulous production design; and the bold anachronism of scoring 1920s–1930s Britain with contemporary rock from Nick Cave, Arctic Monkeys, Radiohead, and others. That soundtrack choice became the show's signature, cementing its identity as a period piece that felt genuinely modern, even charged, in a way few dramas have managed before or since.

The show's recurring weaknesses, as reviewers saw them, lie in plotting and tonal control. Storylines grow increasingly convoluted across the run, with the political intrigue and family melodrama of the later years landing as harder to follow — and harder to care about — than the street-level conflicts of the first two series. A persistent minority of critics argued the swagger masked a certain emotional hollowness, and that the slow-motion walks, the operatic violence, and the self-conscious cool tipped into self-parody. Series 3's Russian arc is the most broadly criticized stretch, with even sympathetic reviewers conceding it overreached.

Critics split most sharply on the show's final act. Series 4 — a revenge-driven peak that won the BAFTA Award for Best Drama Series and stands as the show's highest-rated and most-watched run — is near-universally acclaimed. But the last two series, set against the rise of fascism in 1930s Britain, drew more mixed responses: some found the darker political register a worthy culmination; others felt the show had grown bloated, mannered, and emotionally distant. What nearly everyone agrees on, though, is the enduring power of Murphy's performance and the series' consistency of craft even when the stories faltered.

  • Season 1

    Introduced the Shelby family and post-WWI Birmingham with a bold visual identity and a contemporary rock soundtrack that immediately set it apart from conventional period drama. Cillian Murphy's Tommy Shelby was a star-making turn, though some early critics found the opening episodes dense and occasionally confusing.

  • Season 2

    Widened the show's geography beyond Birmingham and delivered one of its most beloved additions — Tom Hardy's Alfie Solomons, an unpredictable, unhinged, instantly iconic performance. Critics generally felt the show found its full confidence here.

  • Season 3

    The widely agreed low point of the run. The Russian-oligarch storyline was criticized as convoluted and overstuffed, and the season lost some of the raw street-level energy of the first two. Even detractors conceded the cinematography remained stunning, but the tension felt more controlled than explosive.

  • Season 4

    The show's peak — a revenge-driven, emotionally propulsive season that became its highest-rated and most-watched, and won the BAFTA for Best Drama Series. Adrien Brody's turn as Italian-American mobster Luca Changretta provided a theatrical, memorable antagonist.

  • Season 5

    Moved to BBC One and took on the Wall Street crash and the rise of British fascism. Sam Claflin's Oswald Mosley was praised as a brilliantly menacing antagonist, and the season's psychological, paranoid tone marked a turn toward the political. Its cliffhanger ending divided viewers.

  • Season 6

    The final season, shaped by the death of Helen McCrory. Critics agreed the show handled her absence with grace, weaving it into the story rather than papering over it, but some felt the Shelbys had lost their emotional core by now — the storytelling more mannered than vital. Still, the series landed as a fitting, visually spectacular close to a saga that changed how period drama could look and sound.

Who it's for

A strong fit for viewers who love stylish, aesthetic-driven crime dramas with antihero protagonists — fans of Boardwalk Empire, The Sopranos, Gomorrah, or Sons of Anarchy are the obvious audience. It also rewards viewers who appreciate bold visual direction, anachronistic soundtracks, and confident, operatic performances, as well as anyone drawn to historical fiction, period costume, and morally grey characters.

Who it's not for

Viewers who prefer tightly plotted, grounded realism will likely bounce off it — the plotting gets genuinely tangled in later seasons, and the self-conscious cool (slow-motion walks, caps, cigarette smoke, 'by order of the Peaky Blinders') grates on some. Those with a low tolerance for melodrama, extreme violence, or style-over-substance objections should steer clear, as should anyone expecting historical accuracy rather than myth-making.Graphic violence · Self-harm · Substance abuse · Disturbing imagery · Bleak themes

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