Schitt's Creek
The review
Over its six seasons, *Schitt's Creek* turns a premise that sounds like a one-line joke into one of television's most beloved comedies — a rare series whose reputation grew with every passing season. The first year leans hard on its naughty title and a familiar fish-out-of-water setup, and the Roses — a wealthy family stripped of everything and forced into the small town they once bought as a gag — begin as deliberately insufferable caricatures. But the writing and an impeccable deadpan cast gradually earn the show's central bet: that these people can grow without ceasing to be themselves. By its back half the series had matured into warm, precise character comedy that critics increasingly flagged as appointment viewing, and it closed with a finale widely hailed as a perfect farewell.
The show's great strength is the way it balances opposing tones that usually cancel each other out — gooey warmth and sardonic wit, absurdist style and genuine feeling. The stars' decades of deadpan comic pedigree give even the broadest moments a lived-in quality, and the running visual contrast between the Roses' designer wardrobe and the town's shabby motel is one of the series' most consistent delights. Its weaknesses are mostly front-loaded: the early seasons are a slow burn, the title gag grows stale, and some supporting characters — particularly the romantic partners the Roses acquire along the way — are underserved for long stretches. As the series sweetened, a minority of critics felt it lost some edge, though most judged the show's self-awareness kept the sentimentality earned.
Thematically, the series is about the slow work of becoming decent — change that arrives one step forward, two steps back, never as a clean conversion. Its most celebrated choice is how casually it treats a queer romance in a small town: a relationship accepted without drama, which became a landmark of representation and a core part of the show's cultural impact. Disagreement among critics mostly concerns the early seasons' rough patches against the later seasons' near-unanimous acclaim, and whether the warmth eventually overtakes the wit. A historic awards sweep — including every main comedy category in its final year — cemented its standing as one of the defining sitcoms of its era.
Seasons
- Season 1
Season 1 (2015): Introduces the premise and the tone problem the show would spend two seasons solving: the Roses are at their most insufferable, and the humor leans on the crude title and broad fish-out-of-water clashes. Critics were mixed-to-positive, with the consensus that the cast's performances elevated uneven material.
- Season 2
Season 2 (2016): The first real signs of the series' defining theme — the Roses beginning to soften and settle into the town — drew improved reviews. The comedy sharpened as the family's haughty contempt for their surroundings started to crack.
- Season 3
Season 3 (2017): A transitional season best remembered for introducing Patrick, who arrives as David's business partner and becomes the emotional anchor of the show's back half. The series also reached Netflix around this time and began its climb from cult favorite to phenomenon.
- Season 4
Season 4 (2018): Critics marked this as the season the show fully matured into appointment viewing, its absurdity now paired with a big, beating heart. David and Patrick's relationship consolidated, and the show's reputation as warm, character-driven comedy solidified.
- Season 5
Season 5 (2019): The town's production of *Cabaret* gave Stevie her moment to shine on stage and was widely cited as a season highlight, capped by David and Patrick's engagement. Reviews praised the season's balance of character revision and reformation.
- Season 6
Season 6 (2020): The final season met near-universal acclaim as a fitting farewell, building toward David and Patrick's wedding and a finale that sent each Rose off with grace. The season's historic Emmy sweep — every main comedy category — sealed the show's legacy.
Who it's for
Viewers who want a comedy with genuine heart — one where characters actually learn and grow rather than spin in place. Fans of deadpan, character-driven humor in the great sketch-comedy tradition; anyone who enjoys fish-out-of-water stories and cozy small-town settings; LGBTQ+ viewers seeking relaxed, positive queer representation; and binge-watchers looking for a comforting, low-stakes show where kindness is the point. It rewards patient viewers: the payoff builds across seasons.
Who it's not for
People who prefer edgy, cynical, or joke-dense comedy — the humor is gentle and character-based, not punchline-driven, especially early on. Viewers with no tolerance for sentimentality or earnest wholesomeness in their sitcoms; those put off by an initially unlikable main cast (the Roses start as caricatures of privilege and take time to soften); and anyone who can't commit to a slow-burn series whose first season is its weakest. — mild sexual content · crude humor · mild language · alcohol and drug references
Birds of a feather...
- FilmThe Shawshank Redemption (1994)






A patient, humanist story about hope, dignity, and friendship forged under dehumanizing conditions, where decency accumulates through small acts and small choices. Fans of Schitt's Creek's belief that kindness is the highest value and that people can slowly transform will find a same-spirited, though more dramatic, meditation on resilience.
85% - FilmThe Wizard of Oz (1939)






A colorful journey of self-discovery in which characters seek qualities they already possess, framed by whimsy, music, and a gentle deflation of authority. Both works share an optimistic, sentimental heart that is earned through sharp observation and have a storied camp/queer afterlife that resonates with Schitt's Creek's inclusive, performative sense of identity.
80% - MusicNATURE IS HEALING (2026)





Like Schitt's Creek, this album occupies the productive space between silly and sincere, treating emotional vulnerability through a performative persona and never letting the listener quite settle into pure irony or pure sentiment. Its structural playfulness and embrace of contradictions mirror the show's deadpan one-liners undercutting big emotional beats.
70% - MusicWith Heaven on Top (2026)





A sprawling, unglamorous confession that insists grace and hope can sit atop ongoing personal chaos, refusing to tidy its mess into neat arcs. The album's belief in small, lived-in moments of redemption and its tolerance for contradiction parallel Schitt's Creek's thousand-slow-steps model of personal growth, even though its tone is far more raw and less comedic.
60% - BookKin (2026)





A quiet, durational meditation on the persistence and strain of chosen and biological kinship, where identity is shaped by slow accumulation of daily life rather than dramatic rupture. The novel's patient unfolding of relationships and its respect for flawed, ambivalent characters connect thematically with Schitt's Creek's ensemble dignity and its emphasis on earned change.
50%





