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Sesame Street

TV1969
CountryUnited States · English
ClassicFamilyFeel-GoodWhimsicalLong CommitmentAll Ages

The review

Sesame Street is routinely described as the most influential children's television program ever made, and the claim is hard to dispute. It was the first show built explicitly around a stated educational curriculum with measurable learning goals, developed with child-development researchers and revised against viewership studies before it ever aired. From the start, critics praised its craft: Jim Henson's Muppets brought a caliber of performance and character comedy children's television had never seen, the show's songbook produced enduring standards, and the seamless blend of puppetry, animation, and live action was slick, funny, and relentlessly inventive. The integrated urban cast, and the decision to take poor and minority children seriously as an audience, was itself a cultural landmark.

Its weaknesses are inseparable from its ambitions. Early critics within the educational establishment argued that the show's rapid-fire, commercial-television pacing was closer to advertising than teaching, and some early studies suggested it mainly helped children who were already advantaged — potentially widening the very gaps it aimed to close. The show's evolution has also been a recurring source of grumbling: Elmo's rise to stardom in the 1990s drew complaints that the ensemble had become a solo act, and the modern era — shortened episodes, a slicker look, a premium-cable-then-streaming-first release, and cuts to beloved original cast members — prompted some reviewers to mourn the loss of the leisurely, warm magazine format of the classic decades. A common refrain is that the reimagined show is recognizable but no longer quite the same show.

Across 56 seasons, the show's throughline has been its social-emotional curriculum as much as its ABCs: it has tackled grief, divorce, autism, parental incarceration, and racism in ways that set the standard for difficult topics on children's television. Critical consensus on the fundamentals is essentially unanimous — the landmark status, the craft, the historical importance. The genuine disagreements concern the recent era: whether the narrative-led streaming reformat is a smart survival adaptation or a further dilution of what made the street special. Even the harshest modern critics concede the show's foundational greatness, and its longevity is itself a verdict.

  • Season 1

    Season 1 (1969–70): The landmark premiere (Nov 10, 1969) introduced Big Bird, Bert & Ernie, Oscar, Cookie Monster, Kermit, and the original human cast of Gordon, Susan, Bob, and Mr. Hooper. Its fast magazine-style mix of Muppets, animation, and live-action shorts was unlike anything in children's TV, drawing a 3.3 Nielsen rating in its first season. Early reviews were rapturous, with educator controversy close behind.

  • Season 2

    Season 2 (1970–71): The CTW research model became the show's engine, with the first large-scale evaluations demonstrating measurable learning gains. Criticism hardened too — a Mississippi state commission voted to bar the show from its educational network. The curriculum began to broaden.

  • Season 3

    Season 3 (1971–72): A landmark addition: Mr. Snuffleupagus, Big Bird's enormous, gentle 'imaginary' friend, debuted. Maria (Sonia Manzano) and Luis (Emilio Delgado) joined the human cast, deepening the street's Puerto Rican representation.

  • Season 4

    Season 4 (1972–73): The Count von Count — later one of the most beloved Muppets in the menagerie — first appeared. Matt Robinson, the original Gordon, left and the role was recast.

  • Season 5

    Season 5 (1973–74): A stable, high-quality year in the show's classic golden era; the format, cast, and curriculum were at full maturity.

  • Season 6

    Season 6 (1974–75): Roscoe Orman debuted as Gordon, beginning a four-decade run as the street's longest-serving human lead. International co-productions began launching in the mid-1970s, the start of the franchise's global spread.

  • Season 7

    Season 7 (1975–76): A genuine existential threat: a federal official called the show 'a monumental failure' and pushed to cut its funding, triggering a massive public outcry and a 'Save Sesame Street' campaign that secured its future. A defining moment in the show's political history.

  • Season 8

    Season 8 (1976–77): Alaina Reed joined as Olivia, Gordon's sister, adding another strong musical and comedic presence to the ensemble.

  • Season 9

    Season 9 (1977–78): The show sailed through its golden decade largely unchanged in format, its signature mix now a template imitated across children's television.

  • Season 10

    Season 10 (1978–79): The 10th anniversary; by 1979 roughly nine million American children under six watched daily. The beloved special 'Christmas Eve on Sesame Street' aired this season.

  • Season 11

    Season 11 (1979–80): A steady, well-regarded stretch; the show remained the dominant preschool program in America, its research-driven model now an established institution.

  • Season 12

    Season 12 (1980–81): The street got its most iconic look — a redesigned set and a new opening sequence and theme arrangement, the version of 'Sunny Day' that generations remember.

  • Season 13

    Season 13 (1981–82): A solid, stable year in the early-'80s run; no major structural changes, with the ensemble cast carrying the street's storylines.

  • Season 14

    Season 14 (1982–83): Will Lee, the original Mr. Hooper, died mid-season (December 1982); his final episodes aired that year. The production team, working with child-development experts, quietly began preparing to address the death on air.

  • Season 15

    Season 15 (1983–84): 'Farewell, Mr. Hooper,' aired Thanksgiving 1983, remains one of the most famous episodes in children's television history — a landmark, research-informed handling of death and grief that set the standard for difficult topics.

  • Season 16

    Season 16 (1984–85): The franchise's first theatrical feature, *Sesame Street Presents: Follow That Bird*, was released.

  • Season 17

    Season 17 (1985–86): A storied running gag ended: the adults finally met Mr. Snuffleupagus in the season premiere. Producers retired the 'imaginary friend' premise deliberately, concerned that modeling adults who don't believe children sent the wrong message.

  • Season 18

    Season 18 (1986–87): A stable, accomplished mid-'80s season; the classic format remained intact and the show stayed the standard-bearer for preschool television.

  • Season 19

    Season 19 (1987–88): The run-up to the 20th anniversary, with the show at the height of its cultural ubiquity and its characters now genuine icons.

  • Season 20

    Season 20 (1988–89): The 20th anniversary, marked by the prime-time special *Sesame Street... 20 Years & Still Counting*.

  • Season 21

    Season 21 (1989–90): A devastating loss — Jim Henson, creator of the Muppets and the soul of the show's comedy, died in May 1990 during the season. His death closed the show's founding era.

  • Season 22

    Season 22 (1990–91): The first full season without Henson. Frank Oz scaled back, but the deep bench of Muppet performers kept the show running essentially seamlessly.

  • Season 23

    Season 23 (1991–92): Elmo, played by Kevin Clash, emerged as the breakout star — a rise that would eventually draw both adoration and complaints about 'Elmo-ization.' Beloved Muppeteer Richard Hunt died early in 1992.

  • Season 24

    Season 24 (1992–93): The show tackled divorce head-on in the 'Snuffy's Parents Get a Divorce' storyline, continuing its tradition of addressing heavy family topics with experts.

  • Season 25

    Season 25 (1993–94): The 25th anniversary, celebrated with the special *Sesame Street: 25 Wonderful Years*; Zoe and Baby Bear joined the Muppet cast.

  • Season 26

    Season 26 (1994–95): Broadcast ratings began to erode as cable and home video fragmented the kids' market — a slow decline that would eventually force structural change.

  • Season 27

    Season 27 (1995–96): A 1996 survey found 95% of American preschoolers had watched the show by age three — a measure of total cultural saturation even as ratings slipped.

  • Season 28

    Season 28 (1996–97): Behind the scenes, producers and researchers ran intensive workshops analyzing the show's structure; the findings pointed toward a younger target audience and a format overhaul to come.

  • Season 29

    Season 29 (1997–98): The last full season of the classic hour-long magazine format, with the overhaul already in motion.

  • Season 30

    Season 30 (1998–99): 'Elmo's World' premiered (Nov 1998) — a repetition-heavy 15-minute closing segment built to hold younger viewers, and an instant structural landmark. The show marked its 30th anniversary in 1999.

  • Season 31

    Season 31 (1999–2000): The Children's Television Workshop rebranded as Sesame Workshop, and the show consolidated around its new Elmo's World-framed structure.

  • Season 32

    Season 32 (2000–01): The transition era: viewership skewing younger, with producers preparing the full-scale structural reboot to come.

  • Season 33

    Season 33 (2002–03): The big reformat: producers 'deconstructed' the magazine format into a more narrative, easier-to-navigate episode structure aimed at two-year-olds. The 'Number of the Day' segment debuted.

  • Season 34

    Season 34 (2003–04): The new narrative format bedded in; with leaner episode counts, PBS schedules leaned heavily on repeats between new runs.

  • Season 35

    Season 35 (2004–05): Continued consolidation around the younger demographic and Elmo's World; the classic-era street scenes receded further.

  • Season 36

    Season 36 (2005–06): Cable rivals and shifting viewing habits kept eroding broadcast ratings, even as the show's library, specials, and international versions thrived.

  • Season 37

    Season 37 (2006–07): The global peak — by 2006 Sesame Street was the most widely viewed children's show in the world, with 20 international co-productions and broadcasts in over 120 countries.

  • Season 38

    Season 38 (2007–08): The original human cast began fading from regular on-screen roles; the street's human residents, once its center, became supporting figures around the Muppets.

  • Season 39

    Season 39 (2008–09): A year of retooling ahead of the 40th-anniversary season, with renewed attention to preschool ratings and a broader media push.

  • Season 40

    Season 40 (2009–10): The 40th anniversary: the season premiered Nov 10, 2009 — exactly 40 years after the original — with high-profile guests and a documented ratings bump among three-year-olds.

  • Season 41

    Season 41 (2010–11): Post-anniversary consolidation; the show remained PBS's flagship preschool franchise amid a shifting kids' media landscape.

  • Season 42

    Season 42 (2011–12): Financial strain began to show — traditional revenue from licensing, DVDs, and PBS fees no longer covered the show's costs, the slow-burning crisis that would reshape the show's distribution.

  • Season 43

    Season 43 (2012–13): 'Elmo's World' was replaced by 'Elmo the Musical,' a longer-form segment aimed at slightly older viewers — an experiment later reversed.

  • Season 44

    Season 44 (2013–14): The show took on parental incarceration in a widely discussed storyline, continuing its tradition of brave, expert-vetted social curricula.

  • Season 45

    Season 45 (2014–15): The financial crisis came to a head (an $11 million operating loss in fiscal 2014), and in 2015 Sesame Workshop struck its HBO deal for first-run episodes — the most controversial distribution move in the show's history.

  • Season 46

    Season 46 (2015–16): The HBO era began (Jan 16, 2016): episodes shrank to 30 minutes, the set and theme were rebuilt, new character Nina joined, and several beloved original cast members were dropped. Critics praised the polish while mourning what the modernization cost.

  • Season 47

    Season 47 (2016–17): Julia, the first Muppet with autism, debuted (April 2017), developed with autism organizations. Elmo's World returned in a redesigned five-minute form, and the half-hour length became standard on all platforms.

  • Season 48

    Season 48 (2017–18): The HBO-era format matured; celebrity guest stars and pop-culture-skewing segments became more prominent features.

  • Season 49

    Season 49 (2018–19): Caroll Spinney retired (Oct 2018) after 49 years as Big Bird and Oscar, handing the two most beloved characters to new performers.

  • Season 50

    Season 50 (2019–20): The 50th anniversary: a star-studded prime-time celebration aired in Nov 2019, and Sesame Workshop announced the move to HBO Max for the next five seasons.

  • Season 51

    Season 51 (2020–21): The pandemic season — produced under COVID protocols, premiering on HBO Max (Nov 2020). The show made its most explicit social-justice pivot, with specials addressing racism amid the national reckoning after George Floyd's murder.

  • Season 52

    Season 52 (2021–22): 'See Us Coming Together' addressed anti-Asian racism, and the season's 'identity and belonging' curriculum continued the social-justice turn.

  • Season 53

    Season 53 (2022–23): Premiered Nov 3, 2022 on HBO Max, themed around identity, belonging, and emotional well-being in response to pandemic-era learning loss and anxiety.

  • Season 54

    Season 54 (2023–24): The show continued on Max as Sesame Workshop wrestled with its business model ahead of the Warner Bros. Discovery deal's expiry.

  • Season 55

    Season 55 (2024–25): The final Max season; Warner Bros. Discovery declined to renew (Dec 2024), putting the show's future in question until Netflix stepped in months later.

  • Season 56

    Season 56 (2025–26): The Netflix 'reimagining' premiered Nov 10, 2025 — exactly 56 years after the original — with two 11-minute narrative segments per episode plus the animated 'Tales From 123,' released day-and-date on PBS and in 30+ languages worldwide.

Who it's for

Preschoolers (roughly ages 2–5) and the grown-ups who watch with them — the show's sweet spot. Parents and caregivers who want screen time that genuinely teaches letters, numbers, and emotional skills; educators and early-childhood professionals (it was built by and for them); adults revisiting the street for nostalgia; and families looking for a gentle, shared viewing experience. The classic-era episodes especially reward adults with sharp writing and jokes that sail over kids' heads, which is why it has always been one of the few kids' shows adults can sit through — or actively enjoy — on repeat.

Who it's not for

Older kids and teens who have outgrown preschool pacing will find it slow and repetitive, and adults seeking sophisticated serialized storytelling will be bored. Parents who object to a secular, research-driven approach to education, or to the show's enormous merchandising footprint, may bristle. Viewers nostalgic for the hour-long magazine format of the 1970s–90s may bounce off the shorter, slicker HBO/Netflix-era show — it's the same street, but not the same texture. And anyone hoping for a show with zero commercial framing should look elsewhere; Sesame Street has always operated inside the conventions of television, not outside them.Thematic grief and death (handled gently for young children) · Divorce and family-separation themes · Parental incarceration storyline · Racism and injustice discussions (later seasons)

  • TVBluey (2018)

    Shares Sesame Street's deep respect for children's inner lives, using play as the language of emotional and cognitive growth. Both show warm, multi-generational humor and treat childhood feelings as serious and worthy of careful attention.

    95%
  • FilmMary Poppins (1964)

    Like Sesame Street, Mary Poppins blends whimsy, music, and magic with gentle moral instruction, trusting children's capacity for imagination and emotional growth. Both create layered worlds where adults and children learn together through wonder and play.

    82%
  • TVAbbott Elementary (2021)

    Both center on education as a site of care and community, finding humor and heroism in under-resourced settings. They share a commitment to social-emotional learning, respectful character comedy, and the belief that laughter can be a form of resistance.

    70%
  • TVThe Andy Griffith Show (1960)

    Both depict a warm, idealized community where adults guide children through patience, gentle humor, and quiet wisdom. The Andy Griffith Show shares Sesame Street's optimistic faith in human decency and its use of recurring archetypes to teach moral lessons.

    60%
  • TVThe Golden Girls (1985)

    Both use comedy to address serious social issues with warmth and progressive values, celebrating chosen family and the dignity of every individual. The Golden Girls applies this to aging adults, while Sesame Street applies it to children, but the tone of compassionate humor is shared.

    55%