Star Trek: Starfleet Academy
The review
This academy-set entry in the franchise follows a first class of cadets training in a period of institutional rebuilding, and it earns real praise for craft: professional critics repeatedly singled out the show's confidence in weaving character arcs and plot together, and the two veteran leads anchor the ensemble with performances reviewers called a highlight in their own right. The younger cast is generally credited with strong chemistry, and the season's serialized villain plot is described as building to a finale that mostly sticks the landing rather than fizzling out.
The sharpest disagreement in this show's reception isn't between critics so much as between professional critics and the wider viewing audience, including the franchise's existing fanbase — a split wide enough that it's worth naming directly rather than averaging away. Where critics leaned positive, audience reaction ran considerably cooler, with recurring complaints about dialogue that doesn't land, visual effects work that's inconsistent in quality, and a tone that reaches for heartfelt, funny, and epic simultaneously without fully settling into any one register. Some viewers also found the ensemble's central relationships underdeveloped relative to the plot mechanics built around them.
Weighing both sides, this reads as a show with genuine strengths in performance and season-long plotting that didn't fully convert into a shared consensus — critics found more to admire in the craft than a meaningful share of viewers did in the execution.
Seasons
- Season 1
Season 1 (2026) centers a first class of cadets training aboard a campus built around a functioning starship, with Holly Hunter and Paul Giamatti's performances as, respectively, the academy's chancellor and its theatrically vengeful antagonist drawing the strongest praise. The younger ensemble was widely credited with convincing chemistry even as some effects sequences and dialogue drew criticism for inconsistent execution. The season closes out its personal-stakes villain arc with a finale reviewers generally felt earned its resolution, setting up a already-filmed second season.
Who it's for
A strong fit for viewers drawn to coming-of-age ensemble drama with a genre veneer — rivalries, romance, and found-family dynamics among a class of trainees — and for longtime franchise viewers curious to see its world extended into a younger register. Fans of serialized season-long villain plots with a personal stakes-driven finale, and those who enjoy watching veteran character actors anchor a younger ensemble cast, are also likely to connect with it.
Who it's not for
Viewers who want the franchise's traditional adult-ensemble, standalone-episode structure will likely find this too YA-coded and serialized for their taste. Those sensitive to tonal inconsistency — earnest, comedic, and high-stakes registers shifting within the same scene — or to visual effects work that's uneven in quality, may bounce off it as well. — moderate violence · language · alcohol use · mild sexual content · flashing lights/photosensitive risk
Birds of a feather...
- TVStar Trek: The Next Generation (1987)






Set in the same utopian universe, it continues the franchise's optimism-under-threat premise, but adopts a YA boarding-school frame and serialized relationship arcs rather than TNG's standalone philosophical episodes. Fans of TNG's institutional idealism may find the shared DNA, though the tonal register-switching is a deliberate contrast.
65% - TVThe Testaments (2026)






Both use YA-coded coming-of-age stakes inside franchise institutional mythology, wrestling with tonal whiplash between adolescent drama and darker ideological material, and both interrogate how grievance and inherited belief get weaponized within a system.
62% - TVStar Trek (1966)





This direct franchise descendant shares Star Trek's core optimism and belief in Starfleet's ideals, but repackages it as a serialized YA drama focused on inherited resentment and redemption. It lacks the original's standalone philosophical-episode structure, yet still wrestles with the same utopian project under threat.
55%





